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FICTION

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The Bridge

A podcast of an abridged version of “The Bridge” read by Nikki Alfar on Pakinggan Pilipinas, a podcast site for Filipino stories.

Listen to it here.

Daddy

I didn’t hear it at first, so engrossed I was in transcribing my Jay-R interview at my office workstation. My cellphone ringing, the chorus of Placebo’s “Protege Moi,” Brian Molko’s heartbreakingly beautiful, hoarse voice saying, Protect me from what I want.

A quick glance at caller ID said “Number Unknown,” which could only mean one thing: the guys from MCA Universal, London, were calling for my scheduled Simon Webbe interview. I tore away my earphones, flipped open my Motoming, at the same time grabbing my notebook and flipping to my prepared questions and popping a fresh tape into the tape recorder. I’ve had a lot of practice multitasking this way, so it was no trouble. By the time I had the earpiece by my ear, everything was ready. At first I could hear nothing but static, which was weird because my phone normally has good reception. And then I heard it: a male voice. It took me a while to understand what it was saying, but not before I recognized the voice.

“Achie,” he was saying.

“Achie.”

I could feel the blood drain from my face, my body begin to shake. There was no mistaking that voice. I had been hearing it for twenty-six years of my life.

“Daddy?” I whispered.

But he was gone, the line dead.

I slumped in my seat, almost dropping the phone when I set it on my desk. That was my father. Of that I was sure. It couldn’t have been anyone else. It all would have made sense, except that he had died in front of his family two years ago in the ICU of the Cardinal Santos General Hospital.

Read the rest here.

The Child Abandoned

THEY SAY THAT A PERSON knows that she’s reached Quiapo by the way it smells. My grandmother—my Lola—described the scent as tentative, as if the air itself was constantly waiting for something to happen. You can see what she means, if you sniff hard enough.

The scent of it underlies everything you smell in this city, be it the rich, barbeque odor of isaw cooking in the dingiest of areas, to the clean, sweet scent of the Pasig river—the Ilog Pasig—itself. Entering Quiapo is not a matter of crossing the Jones Bridge anymore, even though that’s what the authorities still want to believe. Not that any of them would ever set foot here, anyway. I’m actually surprised that you did, just so you could find me.

Read the rest here.

Seek Ye Whore

Week 0
Foster remembered, exactly, when it was he got it into his head to get married.

It was the time he leaned over his cubicle to see Donovan taking a bite out of a dripping, overstuffed roast beef on rye too big, too thick, and too appetizing to have come from the cafeteria.

“New restaurant?” he asked, trying to sound as nonchalant as possible. He had a weakness for roast beef on rye. Heck, he had a weakness for food in general, especially when they looked like they had come straight out of Bon Appetit, the bread just the right shade of brown, the beef sliced in equal thinness.

“Nope,” Donovan said. “My wife made it.”

Read the rest here, on page 110

Boss, Ex?

He was the first thing Bien saw as he came up the escalator of the third floor of Virra Mall. The man was two heads shorter, about a five-foot three to Bien’s six-foot frame. His extremely short hair was unevenly cut, his dark eyes watchful, darting back and forth even as they focused on Bien.

He sidled up to Bien, a big smile on his pockmarked face. “Boss, ex?” he asked.

Read the rest here

Waking the Dead

DARIO stared out of his bedroom window, studying the mass that congregated at his doorstep below. The dead of Barrio Masigasig had arrived at his house today, dug themselves out of their graves, many of them ancient and rotting, caked with dirt, their faces caved in, chests sunken, limbs falling or long gone.

Others, freshly buried, looked almost alive, their skin unbroken, the pallor on their faces masked by funeral make-up. They were dressed in moldy barongs and musty party dresses, clothes that dragged on the ground or snagged in places, the damage gone unheeded because the dead did not think of these things.

Read the rest here

ESSAYS

snow

Shake, Rattle and Roll: Modern Philippine Horror
Fearzone.com
June 2009

Scare Me to Death: The Golden Age of Philippine Horror Cinema
Fearzone.com
March 2009

Islands of Blood: Horror in Philippine Cinema
Fearzone.com
January 2009

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